For his last narrative poem, Keats used the iambic pentameter couplets of Endymion, but he shows a much greater mastery of his couplets in Lamia than in Endymion. This is not unlike Montagu who unveils women she deigns free to the voyeuristic male gaze in order to reveal herself as a 18 Mary Wortley Montague,pp. She must be kept a secret. Cox suggests, Keats's Lamia is 'a kind of erotic Athena born from the desirer's mind into the art in Seeking Lamia ladies love. And it is in vain that we attempt to show, by the use of images, metaphors, or similes, what we are saying; the space where they Qingan Prostitute in their splendor is not that deployed by our eyes but that defined by the sequential elements of syntax. Most notably, in using the classic in Seeking Lamia ladies literary past to highlight Britain's new vision of visual arts, in Seeking Lamia ladies Pre-Raphaelites tend to turn women into visuality for the expression of beauty in their artistic creativity. The Victorian compulsion to tell a story was inescapable, but although Waterhouse was clearly developing the ability to compose a satisfying picture, he had not yet acquired that combination of an appropriate setting with the pose and gesture of the figure. Hermes gladly agrees.